[Postcard from Finland no.4] While I was away at the Sibelius music festival I ordered the latest issue of Finnish Music Quarterly, an English-language journal, a special Sibelius issue. Among the articles one by Lotta Wennakoski titled ‘Content with content’ caught my eye. In it she writes at one point of the magic of a live acoustic concert:
It is a quite unique experience, to be in an audience together yet alone. And the unbroken silence immediately before and after the music is most eloquent … I also believe … that the magic of acoustic music that I referred to above will persist even amid the oceans of digital sound that overwhelms us. Live concerts, with their magical silences, will possibly become an even more valuable everyday luxury in the future.
This spoke to me strongly. Before each Sibelius piece performed in Lahti, the conductor would wait for a minute, even two, with the orchestra and the audience, in near silence, before the music began. This sets a boundary and clears a space in which the first strands of the music emerge without being in competition with anything else, and in which everyone has symbolically made it the priority. Similarly, when the last notes have died away ten, fifteen, twenty, maybe forty minutes later, there is another silence. This silence is highly-charged, full of emotion and meaning and the sense of a journey and an arrival and of being changed. Sometimes it is a moment of triumph; sometimes a quieter radiance.
Every time I have heard Vaughan Williams’ Fifth Symphony, for example, it is only with a great reluctance that anyone breaks the silence at the end, because no-one wants to return from that astonishing place where the music finishes. Having only attended rock concerts until about 17 years ago, this has been a new experience and a delightful one too.
But sadly such silences are easily spoilt. So a poison bouquet for horrible Mr Bravo! who at the end of two of the Lahti concerts, shouted within a second of the last note, thus robbing everyone else of that rich moment of silent fullness. It is as if such characters have to demonstrate their cultural superiority. Bravo! comes the shout. What it really means is: I have judged this a good performance, the rest of you may now follow with your clapping. The final chord becomes a winning goal in a cup final.
But fortunately he (and it is almost invariably a ‘he’) can’t be everywhere …