Last Saturday saw the 40th anniversary of the death of the English rock musician / songwriter Marc Bolan. It was marked by two new documentaries, on BBC4 and Sky Arts, and a celebratory gig in West London. I saw and enjoyed the BBC4 film which had some fresh material.
For those of my subscribers who are outside the UK, I should mention that Marc Bolan’s group T. Rex were the Top 40 sensation of 1971-72, having a run of hit singles and several successful albums which lasted well into 1973. The hysterical reaction of fans at live T Rex gigs drew comparisons with Beatlemania. During the late 60s Bolan had been part of a mostly acoustic duo Tyrannosaurus Rex playing to a hippie / underground / student audience. The four albums released under that name 1968-70 had Bolan writing poetic lyrics which seemed like postcards from a Tolkeinish world of his own invention – pastoral, innocent and enchanted.
As he gradually introduced electric guitar these lyrical preoccupations faded, but there was enough of that enchantment hanging over to make the early T. Rex quartet’s music a special blend of magic and rock’n’roll such as has never been heard in the Top 40 before or since. Who else but Marc would put in ‘Get It On’ a line like ‘You’re an untamed youth … (name-checking an Eddie Cochran film) … with your cloak full of eagles’, not to mention the ‘hubcap diamond star halo’ and the ‘teeth of the Hydra’. Along the way he almost single-handedly invented glam rock, dressing up on Top of the Pops a year before Bowie put his arm round Mick Ronson for ‘Starman’.
Sadly, the decline, musical and personal, was precipitous from 1974 on. But the inspiration from that earlier music has lasted a lifetime for me. T. Rex were the first rock band I saw live, and made me want to take up playing guitar and writing songs. Bolan’s example is for songwriters an encouragement, in terms of how much you can do with little material if the creative energy is high, and how you can get stuck if you don’t care enough about the parameters of your music. He also had a wonderful palette of electric guitar tones which are tricky to emulate. But in recent years a few of them have come alive under my fingers, and that has been a thrill.