Postcard from Berlin
At the end of last week I was in Berlin for four days. It is a very stimulating city with an extraordinary recent history. C21st Berlin is a place of great energy looking to the future. Unexpectedly, I had two memorable musical experiences while I was there.
The first was seeing the new Beatles film Eight Days A Week which narrates their career as a touring band. It opens with wonderfully vivid colour footage of them playing in England in winter 1963 and goes through to the final concert at Candlestick Park and the retreat to the studio in 1966. The film didn’t tell me anything new about this story, but it offers much visually and in terms of restored audio. There was a bonus film of 30 minutes from Shea Stadium. The older I get the more extraordinary it seems that there once was a time when the Beatles were a recording band, writing songs the world had not heard, and also that McCartney and Lennon once shared a stage.
The film’s release is accompanied by a CD Live at the Hollywood Bowl. I never bought the 1977 vinyl release of this music, and so it was all fresh. This version brings out what great rock’n’roll vocalists both John and Paul were.
The second musical experience in Berlin was hearing the US composer John Adams conduct two of his own works at the Berlin Philharmonic. It is a striking modern concert hall and the orchestra sounded great. The second work was a German premiere, Scherazade.2 whose anti-patriarchal programme I whole-heartedly agreed with. The music had many enchanting and lyrical passages, with Adams making use of the cimbalom – hot often heard in orchestral music. I thought it too long by about 10 minutes (it lasted almost 50). It is difficult to sustain an enchanted, lyrical mood without strong melody and mostly here by texture. I also heard some Sibelius quotes which were curious; I’d like to know how intentional they were. Adams describes it as a ‘dramatic symphony’ but I feel four-movement violin concerto is closer.
So, the Beatles and John Adams in successive nights out.
My other remaster purchase has been the upgraded Led Zeppelin at the BBC. I first heard some of these radio broadcasts on bootleg back in the early 1980s and welcomed the original double CD release some years back, but regretted the omission of an explosive ‘What Is And What Should Never Be’ from the 1971 in concert. That is now present on this 3-CD version, which captures Zep full of youthful energy.