C over G
Today I was looking at David Bowie’s ‘Space Oddity’ and in particular the question of which shape to use for a C/G chord. This is a second inversion, the type of chord where the 5th is the lowest note rather than the root note or the 3rd. In traditional music harmony there are many rules about the use of second inversions; how they are approached and how quitted. Guitarists tend not to be much bothered about the special identity of second inversion chords. Instead, they tend to use them as a means to have more strings sounding.
Here’s an example. An open C chord in first position is usually played x32010. If it is turned into a second inversion – 332010 – the 6th string can be played. Bowie seems to have been fond of this way of playing a C in songs like ‘Queen Bitch’ and I think it was for the extra resonance. But it isn’t functioning as a second inversion, just a more resonant C chord.
For a C/G that sounds like a second inversion, especially in a sequence where the bass note was at A and is falling to F# or F, I recommend 3×2010. It’s a subtle difference, but the removal of the low root note makes the second inversion stand out with more of an identity.
I have been playing this chord for years. Nice to now exactly how this works. Thanks RR.
Your books are really wonderful.
August 30, 2012 at 10:54 am
Thanks for your comment. I may blog a little more about some of these inverted chord shapes and their properties. I’m glad you like the books. There will be more. RR
August 31, 2012 at 2:34 pm